La Traviata
Royal Opera (2011)
Good work in the smaller roles, especially from Gaynor Keeble’s carefully observed Annina The Stage  (2011)

Falstaff
Longborough Festival Opera (2011)
“Gaynor Keeble gave us another of her sassy protrayals as Mistress Quickly, who is, after all, the pivot of the entire delightful farce.” 
Opera Magazine

Falstaff
Mid Wales Opera (2010)

“Gaynor Keeble’s Mistress Quickly is a rich-toned caricature.” - The Guardian

“Gaynor Keeble is sensationally witty, perky and smart in her beautifully-vocalised
Mistress Quickly” - Birmingham Post

Les Contes d’Hoffmann
Royal Opera House (November 2008)

“Gaynor Keeble, Kostas Smorigina and Ji-Min Park all made strong marks in smaller roles - Daily Telegraph

“Gaynor Keeble shines briefly as her mother’s spirit” - The Stage

“Gaynor Keeble made the most of her few moments as the Spirit of Antonia’s mother”  - Music Web International

“Gaynor Keeble as the spirit of her mother was truly affecting, and the most memorable of the mostly well-taken smaller parts” - Intermezzo

“ ... and the spirit of her mother, sung with lovely fruity tone by Gaynor Keeble.” - Classical Source

Haunted Manor
Opera Omnibus (2001)

“.... and above all, Gaynor Keeble’s wonderful Lady Bracknell of a match-making Aunt left the most indelible impression.” - Daily Telegraph

“Gaynor Keeble gave a splendidly well sung performance.  She dominates the stage in a hand-bagging way, and certainly brought life and vitality to this production” - Music and Vision Daily

The Rake’s Progress
English Touring Opera (2000)

“As Baba, Gaynor Keeble turned out to be a star, crystal clear diction, a mezzo of warmth and style brilliantly debunking Anne and Tom’s duet from her sedan chair.  This act worked, largely thanks to her.” - The Times

“Gaynor Keeble was fully in command as Baba.” - Opera Magazine.

Daughter of the Regiment
English Touring Opera (1998-1999)

“As the Marquise Gaynor Keeble made the most of the few chances Donizetti gives her to use
 her mellow mezzo.  She showed a natural comic gift int he singing lesson scene.” - Sunday Telegraph

“Gaynor Keeble as the Marquise and Anthony Marber kept the comedy together.” - Opera Magazine

“Gaynor Keeble endowed the Marquise with superb hauteur and impeccable diction.” - Opera Magazine